In: Music
25 Sep 2008You just have to read this, if you are into audio engineering, it’s just pure hilarity.
From Gizmodo:
If you purchased Metallica’s new album Death Magnetic, you may have noticed that it sounds like complete shit. But don’t blame Metallica, producer Rick Rubin or mastering engineer Ted Jensen—the real culprit here is Apple and their dammed iPod. While the “loudness wars” have been going on since the late ’80s, the development of digital music and the iPod have heated things up.
Industry insiders claim that they feel the need to sacrifice dynamic range for increased volume because digital music makes it possible to squeeze all of the sound into a narrow, high-volume range. This temptation is pressed further when you try and optimize sound for the iPod’s crappy lo-fi earbuds. They are under the assumption that this drives sales. It is clear to me that the record industry needs to shift their focus from quantity and put it squarely back on quality. I mean—who are they trying to impress anyway? Do people really care who has the loudest album anymore? According to a recent WSJ article, even metal fans are complaining that things are getting out of hand. Do you agree?
I bought this album and I have to agree, while the music is actually really good, it’s incredibly distorted. Coming from someone that knows the loudness wars and knows audio engineering and compression, you can get it plenty loud without the kind of pure distortion going on in this CD.
For a more interesting take, read about the supposedly distortion free mixes of the same album on Guitar Hero…

Jason Burns is a technology enthusiast, Microsoft guy, photographer, musician and all around geek. This blog is the general rambling one, check out the links for the specific ones!

1 Response to Audio Humor: Metallica Engineers Blame iPod For Crappy Mix of “Death Magnetic” Album
Marc Daneker
October 13th, 2008 at 9:04 am
It’s obvious to anyone with hearing that the record was uber compressed, clipped and digitally distorted resulting in a sonic mess.
The GHIII versions are too soft, but a little tweaking and a 4dB boost fixes that, without adding distortion or changing the dynamic range.
Metallica needs to address this, admit it and fix it.