Big TV Media has a right to be mad, we have created the environment that we are all complaining about..

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Let me post this simple question to you first. When you turn on your TV (and for the sake of this argument, let’s forget Cable TV for the minute and concentrate on over the air television) and you start the latest episode of Lost or American Idol, do you feel like you are accepting any obligation in watching that content?

This blog post has stewed from a train of thought I had this weekend, and it ultimately led me to feel pretty conflicted. As much as I have bitched about the RIAA and the movie industry (and boy do I still feel that way in many ways) I started to get a pang of guilt when it comes to good ole fashioned traditional TV media.

In it’s most basic sense, watching Lost binds you to a pretty simple non-verbal agreement that says, “Ok Fox, I want to watch this show. I am willing to be exposed to the commercial content that you have sold in order to pay for this show.”

Now I am being very careful to use the word “exposed.” I am not agreeing that I will sit at attention and watch the duration of every commercial, or that I will not fast forward through it if I have recorded it. Just that I am willing to scan and view what is appropriate to me, and NOT redistribute this content without the commercials included.

Nobody says you can’t go to the bathroom during commercials or fast forward through the beer commercial for a brand you don’t like. My friend Scott likened it to a magazine and I agree. I can flip past pages I am not interested in, but when I loan someone that magazine, the pages are still there, I am not tearing them out.

This is where we, as consumers, have gotten very greedy. We are using tools to strip out or skip commercials completely, we are using services online to download these shows without the commercials. I don’t exactly have an answer, I just think it’s time we accept that in this war (and believe me it is a war) for and against media, DRM and fair use rights, we are not the innocent bystanders.

This is not World War II. The RIAA, the major networks and even Cable are not Hitler tearing across the world trying to impose their will on an entirely innocent public.

Just because I do not download and burn my DVDs, or rent and rip everything in Netflix’s library doesn’t mean it isn’t happening and that these companies do not have the right to fight it.

I have been guilty of this argument too, but let’s be realistic “I don’t like your business model” doesn’t mean “I have the right to steal your product.”

Now let’s not end this thinking that the media companies haven’t gone way to far to protect their products, they have. These companies are hanging onto dying business models that place the consumer dead last when it comes to rights. They are building a system where the consumer grudgingly accepts the content in a system that completely exists on the premise that we have no rights and even when we purchase a DVD, we are purchasing the plastic and have no right to watch or view it elsewhere. That if we have four devices we must buy the movie four times.

All of this is ridiculous and believe me, at some point the wall will come down, it has to. The point of this post is to make sure that as we all start mustering our armies and the fight for digital media rights spills over borders and the government gets involved to protect the consumers rights, that we do not forget one simple truth. Very, and I mean VERY, few of us are using content legally in all regards. Wether we like the rules or not, we are breaking these agreements, we are stealing content…and the simple truth is that not liking a law does not give you the freedom to break it.

The farther we push the boundaries of fair use, the further these companies are going to go to protect their content. The real struggle comes in finding the middle ground.

iMovie for Kicks…

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I was screwing around with the iMac after I finished some recording tonight and I decided to take a quick clip with iMovie and upload it to YouTube. In case you didn’t know, I play guitar a little bit, enjoy!

Logic Express 8 for Mac

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I have been recording music for a long time. If I trace my roots it goes back to trying to write stuff on an old 486 with a Roland MT-32, recording it to a tape deck in a home stereo, then using split cables and another stereo to bounce tracks together.

When I first got my hands on cakewalk it was light fireworks in my head, then Pro Tools, well…that was just another huge leap in what would be a 20 year obsession.

Recording technology has changed so much, from those early days to day, I am able to sit in my den and record up to 16 channels of audio simultaneously at better than CD quality, and mix and edit them non-destructively with an unlimited array of instruments and sounds that were previously only known in $5,000 professional synthesizer workstations.

The price of entry for all of this power? A decent Mac computer and $199 for a software package called Logic Express 8.

Logic Express 8 is no wicked step-child to Logic Pro 8. The difference lies in the exclusion of 4 core professional features.

  1. Support for high end control surfaces
  2. DAE/TDM Support (if you don’t know what it is, you don’t need it)
  3. DAP or Distributed Audio Processing, which means hardware enhanced audio performance
  4. Surround Sound

Toss in a few other effects and synthesizer plug-ins, and Logic Pro 8 is more of an enhanced version of Logic Express 8. This is unusual in that many times the consumer oriented versions are usually so drastically different that they are really similar in name only.

This is underscored by the fact that Apple’s Logic Pro Training book is for Logic Pro 8 and Logic Express 8 in the same book. The additional features are covered in an advanced book. Using the application is exactly the same.

Apple’s PR Engine advertises these bullet points for Logic Express:

New in Logic Express 8.
Logic Express 8 makes it easier than ever to translate musical inspiration into professional recordings. A redesigned interface and a range of powerful, easy-to-use features put sophisticated tools at your fingertips.

Single-Window Design
The Arrange window in Logic Pro 8 consolidates production activities in a single, elegantly-designed workspace. You can record multiple takes; cut, move, or stretch audio with sample accuracy; browse channel strip settings; audition Apple Loops; and drop chords onto your lead sheet—all from one central space, without managing multiple windows.

Effortless multitake recording
Region-based take management speeds up multitake recording, editing, and processing. An expandable take folder makes it simple to recall overdubs, and entire take folders can be moved and edited like regions.

New audio editing tools
Work faster and with greater precision using powerful new features like snap-to-transient selection, graphical time stretching, and sample-accurate editing in the Arrange window.

New Instruments
Logic Express now includes Ultrabeat, ES2, and the complete EXS24 Sampler.

Simplified setup
Production-ready templates, a streamlined track setup window, and dynamic channel strip creation get you up and running fast. Improved ReWire support provides easy integration with other music applications.

Quick Swipe comping
With breakthrough Quick Swipe comping, you can simply swipe over the best portions of each take to create a seamless comp, complete with transition-smoothing crossfades.

Portable preferences
Save your key commands, channel strip settings and plug-in settings to your .Mac account for easy backup, sharing, and portability.

New Effects
Logic Express now features Guitar Amp Pro, Ringshifter, and full-featured Pitch Correction.

That’s a mouthful! In spending two days with this software I have to say that it’s everything it’s billed to be. For someone with a good bit of Digital Audio Workstation (DAW) experience, it’s a very good interface. Everything is easy to find and configure. I had it up and running with a firewire interface and MIDI keyboard in minutes.

There is literally no latency. When using Reason on PC I have had many problems getting fast MIDI tracking with software synthezisers and that is not a problem here.

The drum plug-in Ultrabeat is great sounding and simple to use.

I will be diving in more this weekend and will probably do a videocast and some more blog posts about it, but color me impressed. This is one fantastic piece of software.